|
|
|
Scene switch back to Weiss, who discovers something else must have been
switched as ...
|
|
|
|
he watches this woman get out of the car he'd been tailing because he
thought it
was Lauren, which means Lauren has given him the slip, and it's
not one with
spaghetti straps
|
|
|
|
|
Now back in that freight elevator, Brill has apparently been talking
up a storm, but we only catch the tail end, as he tells Vaughn, you
know what you have to do, just make sure they don't get to her,
it's what your dad would want you to do
|
|
Now Brill leaves on one floor, while Vaughn exits on another, his Nokia prominently
displayed ... |
|
|
|
and is promptly knocked on the head and kidnapped |
|
|
|
Big scene switch now, to this transport plane |
|
|
|
OK, Sloane actually says the green stuff is for a battery for another
as yet unseen Rambaldi artifact that can locate The Passenger,
an artifact
that The Trust has
|
|
|
|
Syd's all, oh yeah, and how do you know? |
|
Sloane says, cause I gave it to them |
|
|
|
Once more, Jack does the exposition - the artifact is in a special cold
storage vault
in the basement of the Smithsonian, which they need five retinal
scans to open from
the five members of The Trust, who are all high-ranking government
officials, one
of whom they know, namely the DOJ guy from last ep
|
|
|
|
Shortly thereafter, it's a nice stock footage of Washington, DC |
|
|
|
Here is the DOJ guy, name of Bell, leaving a building
|
|
|
|
and getting a shocking glimpse of ... |
|
pedestrian Arvin Sloane, who is only pedestrian in the walking sense
of the word, of course |
top
of page
Home,
Introduction, Episodes,
Catacombs, Links
